work + play

hooray, i’m in! my illustration got picked for the upcoming ICON illustration conference Work + Play group show. it’ll be up at land gallery in portland from july 11th-august 17th. land is selling prints of all the participating illustrations. my print is here.

the painting was inspired by a recent tandem outing with steve, during which we had a terrible argument (naturally). surprisingly pleasant work getting lost in the swirlies of hairy orangutan.

mother’s day

today i present all the dresses my mother sewed for me in high school. thanks mama!

giant moth invasion

new painting! it’s the house where my mom grew up (with large uninvited insect guest). one day i was looking at pictures of atlas moths and my mother, peering over my shoulder, mentioned she hated them. i prodded a bit to find out the reason for the strong reaction. apparently, her village was overrun with them!

One year we had these atlas moths invading our village. They were fluttering all around the house to try and get in! They left torn and battered wings all over the yard!

i always pictured the invasion looking like this. i’m gonna give it a stir in my brainpan and see if i can’t get a book to pop out.

emperor norton

letterpress project #4, Emperor Norton I, bay bridge visionary and a damn great san franciscan, with apocryphal canine companions bummer and lazarus.

>>a bit more about norton in an earlier post of mine<<

i printed norton on crane’s lettra paper. the texture is amazing!

instruments

all the instruments in our (one bedroom) apartment as of yesterday:

note: in the last couple years, we have given away/sold/fostered out 1) another acoustic guitar, 2) a heavy metal electric purple axe, 3) a bass guitar, 4) a keyboard, 5) a set of enormous outdoor-type speakers. we use 2 amps for nightstands. there are three. it’s like the polyphonic spree up in here. this is clearly a cry for help. steve needs to start a band, stat.

STARS

i love wood type! so much character. all the swirling galaxies and nebulae in each letter.

falling

letterpress project #3, a wood type poster in two colors. the text is from an uncommonly charming article in the sf chronicle i saved a few years ago on the perseids. meteor-watching tip #5: take someone with whom you like to sit in the dark.

i found a pair of little lead owls in one of the type drawers to punctuate my sentence:

one for sorrow

second letterpress workshop project — an old, creepy nursery rhyme on using crows for divination (with special guest star, the devil). i looked and looked for a bad little black bird to set with the rest of the type. there were hella owls, cute sparrows, some turkeys, a crane, and even a pair of seagulls wearing eyepatches and striped sweaters (?!!). i ended up having to paint one on each print instead.

behold, the magic of letterpress:

i’m bad. like jesse james.

i’m taking a letterpress workshop at the san francisco center for the book. the first project — a john lee hooker quote. it went really well! and it gave me happy art school memories. next week we are setting a broadside with 5-10 lines of poetry. if i continue with the BAD theme, i may do keats: “give me women, wine, and snuff / until i cry out, ‘hold, enough!’”

reading list

my favorite books from the last couple years. they are! moab is my washpot by stephen fry, burma chronicles by guy delisle, relish by lucy knisley, birds of a lesser paradise by megan mayhew bergman, wide-eyed by trinie dalton, farm city by novella carpenter, and magic for beginners by kelly link. (i might have to make another painting, there were a bunch of runners-up)